That’s a wrap on Live On the Green 2018. Until next year.
Live On the Green versus Beyonce and Jay-Z, as the latest installment of Nashville’s Great spectacle attendance wars.
An (abbreviated) look at the beginning of LOTG 2018 - through the lens of Dispatch and True Detective.
Yet another Album of the Year appeal, this time, for Erin Rae’s Putting On Airs, along with some other general musings.
The Canadian artist rolls through town in support of his most recent album, It’s a New Day Tonight, which happens to be one of our favorites from 2018.
An appeal for Amen Dunes’ Freedom as an AOTY candidate through the lens of a vibey Ryman set.
Mr. Jukebox’s album release show is business as usual for Hedley - absolutely excellent.
A fantastic show at one of Nashville's newest (and weirdest) venues.
Straight up - one of the best shows of the year. Mattiel is the real deal, so read up and make up for lost time. They're going to be huge.
A wild and wacky sold out show at The High Watt from Caroline Rose that was backed by some solid tunes.
Elliot Root's ascent continues with the first of two sold out 3rd & Lindsley headlining shows.
In case anyone was wondering, Shame put on the best show of 2018. Read on to learn exactly why.
Always super cool when up and coming bands stop in town and they're met with a receiving party worthy of their presence. Future Generations put on a hell of a show, and everyone there had a hell of a time.
