A few too many words on the current success and future state of Bonnaroo and life on “The Farm.”
On going out on one’s own and the je ne sais quoi of sleepy empathy.
The beginning of a sea change for The Pressure Kids, riding the crest of the wave that is the Nashville “come up.”
That’s a wrap on Live On the Green 2018. Until next year.
Live On the Green versus Beyonce and Jay-Z, as the latest installment of Nashville’s Great spectacle attendance wars.
The second week of Live On the Green, with a little bit of sketch comedy show 101 thrown in.
Easily the best Nashville show of 2018.
The grand sleaze of the indie music scene finally finds a place to rest in Nashville, and what a wonderful time it was.
A celebration of two of Nashville’s greatest purveyors of spirit and song.
The ever rising career trajectory of Middle Kids continues, with a sold out show at The High Watt.
Mr. Jukebox’s album release show is business as usual for Hedley - absolutely excellent.
A look at the electrofolk duo from Boston, and their close (and sometimes, confusing) Nashville ties.
A nice change of pace on the site, thanks to the brilliant tenor sax work of nonpareil jazz man Kamasi Washington.
There's no shortage of photographers in Nashville (which is great for N/I), but the process of becoming a successful one is pretty foreign to most. Thankfully, Nathan Zucker was kind enough to shed a little light on the photo world.
It's another Ryman Auditorium debut, this time from one of the more "left field" acts on the touring circuit - Sylvan Esso.
In what was easily the single most attended night of Live On the Green 2017, Nashville saw its premier indie music festival tout what was one of its most indie-stigious (not a word, trademark pending) lineup to date.
Upon his twenty-second birthday, Marcus Maddox set out to document and capture intimate and candid moments within Nashville's DIY scene. Those moments would eventually become his zine-meets-photobook POM POMS, Vol. 1, which releases August 18th.
Always super cool when up and coming bands stop in town and they're met with a receiving party worthy of their presence. Future Generations put on a hell of a show, and everyone there had a hell of a time.
In short, Jacqueline Justice is in the fast lane to attaining her seat at the head of Nashville's photography table. But why stop there?
