On going out on one’s own and the je ne sais quoi of sleepy empathy.
The grand sleaze of the indie music scene finally finds a place to rest in Nashville, and what a wonderful time it was.
The ever rising career trajectory of Middle Kids continues, with a sold out show at The High Watt.
The Canadian artist rolls through town in support of his most recent album, It’s a New Day Tonight, which happens to be one of our favorites from 2018.
An appeal for Amen Dunes’ Freedom as an AOTY candidate through the lens of a vibey Ryman set.
By far and away the most fun we’ve had at The Mother Church in a long, long time.
Straight up - one of the best shows of the year. Mattiel is the real deal, so read up and make up for lost time. They're going to be huge.
One of the oft forgotten leaders of the indie folk movements came through town, and there was ample audience to pay their respects. Here's a little something to distract you on Thanksgiving.
The xx played one of Nashville's most sonically challenging venues, but managed to purvey their indie pop sensibilities and cultural sensitivities with ultimate success and ease. It's nice to know that there's no shortage of shows like these.
It's another Ryman Auditorium debut, this time from one of the more "left field" acts on the touring circuit - Sylvan Esso.
Always super cool when up and coming bands stop in town and they're met with a receiving party worthy of their presence. Future Generations put on a hell of a show, and everyone there had a hell of a time.
One of the better surprises at Shaky Knees 2017, Run River North rolled through Nashville in a support slot at The High Watt. They stole the night.
