One of the Nashville OG’s returns to the East Side, with a coming down the pipeline.
A look at the inherent human connection of Soccer Mommy.
On going out on one’s own and the je ne sais quoi of sleepy empathy.
The beginning of a sea change for The Pressure Kids, riding the crest of the wave that is the Nashville “come up.”
That’s a wrap on Live On the Green 2018. Until next year.
An (abbreviated) look at the beginning of LOTG 2018 - through the lens of Dispatch and True Detective.
The grand sleaze of the indie music scene finally finds a place to rest in Nashville, and what a wonderful time it was.
A look at the electrofolk duo from Boston, and their close (and sometimes, confusing) Nashville ties.
A nice change of pace on the site, thanks to the brilliant tenor sax work of nonpareil jazz man Kamasi Washington.
It's another Ryman Auditorium debut, this time from one of the more "left field" acts on the touring circuit - Sylvan Esso.
In what was easily the single most attended night of Live On the Green 2017, Nashville saw its premier indie music festival tout what was one of its most indie-stigious (not a word, trademark pending) lineup to date.
Always super cool when up and coming bands stop in town and they're met with a receiving party worthy of their presence. Future Generations put on a hell of a show, and everyone there had a hell of a time.
